THIS IS WHAT RAW EMOTION SOUNDS LIKE: THE REAL ERDRICKK’S “EMBRACE THE LIGHT”

DHALI’s “TIME (MIMI)” REWRITES THE RULES OF AFRO-HOUSE

“(IT’S ON ME)” BY STREETKID: A RAW JOURNEY THROUGH SELF-REFLECTION

LUNA FALLING’S “THE INVASION”: WHERE CINEMATIC METAL MEETS DYSTOPIAN DREAMS

“RUBICON” BY EYES LIKE MIDNIGHT: WHERE DESTINY MEETS THE POINT OF NO RETURN

DEAD MEN DON’T WEAR PLAID THROWS DOWN THEIR HEAVIEST PUNCH YET IN “REVERSAL”

“BLUE MOON” BY HOTLAP x SOPHIE SAINT TAKES PROGRESSIVE HOUSE TO NEW GALACTIC HEIGHTS

BEYOND THE MUSIC: “EUPHORIA” BY JUDGE & JURY X TREVOR MCNEVAN OF THOUSAND FOOT KRUTCH BECAME AN ANTHEM FOR INNER BATTLES AND HOPE

LIES WE SOLD’S “FRAGMENTS”: A METALCORE MASTERPIECE OF BREAKING THROUGH SELF-IMPOSED CHAINS

MISSION TO SLEEP’S “DESIGNER GRAVES” EXPOSES MODERN SOCIETY’S GLITTERING PATH TO SELF-DESTRUCTION

FELIX CARTAL & TEGAN AND SARA UNITE: “RIGHT ON TIME” BRINGS ’90S NOSTALGIA TO MODERN DANCE MUSIC

JACOB LIZOTTE’S “NO RETURN” SHATTERS THE SILENCE: A METALCORE MASTERPIECE OF RAW HUMAN PAIN AND RESILIENCE